I’m a photographer in so much as I have a camera and people are lucky enough to let me take photos of them and I often get something in return for my work. For my money, that’s the definition of success as a photographer.
That said, 2015 brought me a bit more than I had before: it let me shoot a music festival and tour for the first time ever. I literally got to use a hobby that’s become a ferociously burning passion to travel the country. That’s ludicrous. And so awesome I don’t even have the words.
So here’s a selection of some of my favorite photographs I’ve taken this year a little bit about them, for photo geeks and non-geeks alike.
I’d also like to take this time to thank everyone who’s supported me in anyway, or given me any opportunity, to take photographs in 2015. You’ve been instrumental in what I’m calling “my success.” If you’d like to help me do the same in the coming year I’ll probably buy you a drink or something.
If you’re so inclined you can follow me on social:
A gig should be an event. Every show should be something to write home about. Or tweet about. Whatever it is the kids do these days. I don’t know…
Anyway, a every gig should be something else. That’s pretty a romantic approach to music, but I maintain it. Largely because I’m an idealist idiot. That and because there are bands like Arcane Roots.
This year I was lucky enough to get accredited to take photographs at Hevy fest. My first official time being a photographer at a music festival. Sure, by the standards of your Reading and Downloads it isn’t big, but by my cooler than thou punk rock standards getting to shoot at the same festival that some of my favorite bands of all time are playing at is pretty big. I was going to get to shoot some of those bands.
The big dog had arrived.
If by big dog you mean slightly unsure, socially awkward and pretty unprepared small ginger puppy.
Foreign Skies cloud over Facebook at /ForeignSkiesOfficial
I’ve always said that not enough post-rock bands sound like the Foo Fighters. Actually I haven’t. Why would anyone ever say that? But presented with this EP I’m forced to conclude that a post-rock dynamics embedded within a Foo Fighters-esque song-writing style is a wonderful thing.